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When using handmade objects, even if only in our imaginations, we automatically re enact social rituals that span millennia. But more than this, as Simmel realized, when using handmade objects we are also having an encounter with another human being; we are connecting to another person and, therefore, to a life outside the solitary self. In this sense, the idea that handmade objects come from someplace has little to do with geography as such and much to do with human social valuesvalues that transform the lone individual into a social being with connections and responsibilities to others, not just to the self. This connection cannot help but impart a temporal, human dimension to the work, which thereby gives added meaning to the rituals, whether quotidian or not, that such objects embody. In the age of the handmade, these parametersboundaries, if you likewere accepted by everyone, almost without conscious thought. But what happens when there is no makers hand connected to the work, only a designers plan for its machine production?Moreover, what are the ramifications of industrial systems of production when a design object is not only realized in vast quantities that are far beyond human capabilities, but production continues indefinitely beyond the designers lifetime?Have we now entered a realm of place less ness in Simmels sense, one in which objects are cut free from the temporal and physical limitations of the human hand and float in a timeless world without apparent human limits and boundaries?Because of the influence of design and mechanical industrial production, the look of things is now more and more likely to take precedence over their usefulness, their functionality. Thats one reason why we now endure pitchers that dont pour gracefully and furniture that is unstable or doesnt fit the body. In addition, since unlimited production has made possible the inexpensive, throwaway object, convenience has become an overriding social value thereby giving rise to an economics of disposability. As a consequence, we now have containers marred by advertisements and landscapes dotted with overflowing landfills. What does it mean to live in such a world, one in which limits and boundaries have been reconfigured, even distorted?This is a world in which former notions of social grace, civility, and even frugality that were embodied in the handmade object have been reconfigured around consumption and waste in the name of an economy of individual comfort. Is our fondness for things quick and convenientan attitude now deeply ingrained in contemporary behaviordegrading both the quality of the objects we use and the rituals that sustain social life?In other words, in a grab and go society like ours, dominated as it is by a culture based on convenience, are the objects we use helping to structure our lives in meaningful ways or are they propelling us toward the amorphous?It seems to us that, in response to such a situation, it is not just a question of returning thoughts and feelings to objects heirlooms and souvenirs already do this but of creating objects with aesthetic qualities, qualities that will engender thoughts and feelings of a deeper, more profound nature.
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SITE 9,829+ . RO 37,484+ . PL 44,520+ . PK 10,373+ . MOBI 4,464+ . LK 5,507+ . CN 66,137+ . CH 66,914+ . AT 31,992+12/1/11: Listen to Ken Anderson's show "Surviving Straight". Drug Programs Abusing Teenagers Part 1". Drug Programs Abusing Teenagers Part 2".
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Neurobiol. Dis. 38, 192200. Wang, J. L. , Cao, L. , Li, X. H. , Hu, Z. M. , Li, J.
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According to Michael Atkinson, the author of Tattooed: The Sociogenesis of Body Art, EWMN stands for Evil, Wicked, Mean, and Nasty. It is often seen on the knuckles of inmates. The four symbols of the suits can be seen on the knuckles and signifies luck or the gamble the prisoners took in life. The playing cards have the same meaning, but when worn by Russians, the symbols take on a different meaning. The clubs symbolize criminals in general, the spades is for thieves, the diamonds is forcefully inked on informants, and the hearts is for someone looking for a romantic fling within the prison, also applied forcefully sometimes. Seen commonly on the elbows, the spiderweb represents time in the prison, caught behind bars. It can also mean being caught up in the gang lifestyle. As a Russian tattoo, the spiderweb along with a spider in it is seen on the heads of the prisoners, and signifies drug addictions and repeat offenders. Each ring can also represent each year spent in prison, and a spider in the center may mean dedication to the gang life, and a spider coming out of the web may represent a prisoner trying to reform himself. Found usually on British prisoners, it stands for All Cops are Bds. It can alternately also stand for Always Carry a Bible, but that is less likely.
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Wosket, V 2006 Egan's skilled helper model. 'Developments and Applications in Counseling'. Http://rticle Source: r. Alusine M. Kanu is a native of Sierra Leone and a three time graduate of George Mason University in Fairfax,Virginia, Kanu's education includes, communication, human resource training and development Interdisciplinary Studies and a doctorate in Community College Education, with course work in Communication Instruction. Kanu is a candidate for a second doctorate D.